Meet David Lopez Quincoces

Architect | Milano, Italy

Born in Madrid and now based in Milan, David López Quincoces is a multidisciplinary designer known for his refined and essential approach to form. After earning a degree in Art from the Universidad Complutense de Madrid and completing a Master’s in Interior Design at the Politecnico di Milano, David moved to Italy, where he began working with Piero Lissoni before establishing his own studio — Quincoces–Dragò & Partners — in 2008.

With offices in both Milan and Madrid, his studio spans architecture, interior design, and product development, blending clarity of form with sensitivity to material and space. His work is recognized for its balance of minimalist geometry and quiet warmth, offering timeless design with emotional depth.

David López Quincoces is a longstanding collaborator with renowned design houses such as Living Divani, Lema, Salvatori, Oluce, and Zucchetti.KOS. His product lines span furniture, lighting, and bathroom collections, with each piece echoing a subtle sophistication rooted in simplicity and crafted precision.

For Zucchetti.KOS, David has contributed a distinctive aesthetic through sleek, sculptural bathroom fittings that prioritize proportion, surface tactility, and functionality. His designs offer a seamless dialogue between architecture and water, enhancing the everyday ritual of bathing with elegance and restraint.

Among his standout works is the creation of streamlined freestanding basins and refined tapware for Zucchetti, where brushed metal, ceramic, and essential lines create a dialogue between form and function. These collections not only elevate the physical space but also speak to a broader philosophy of sustainable, enduring design.

In David’s own words, "Design should whisper, not shout. It’s about restraint, about letting materials, light, and space speak for themselves." This philosophy defines his approach — one that resonates through every detail, transforming simplicity into a powerful expression of beauty and meaning.